I love science fiction, but I’m a terrible fan of it. I love spaceships and technology and new ideas and robots and aliens, but I could not save a conversation by talking with any kind of fluency about representations in books about any of them. I’ve always been better at being excited about science fiction than actually being, like into science fiction.
Always, until this past year. I don’t know how anyone else makes themselves more fun at parties, but my approach is a time-honored one: thorough research.
I don’t have time to just suddenly become fluent in science fiction. It is a big genre, containing multitudes. It explores many themes, and your representative piece of science fiction may or may not be an ept exploration of those themes. I didn’t want to just start reading science fiction. What if I started with a crappy book and turned myself off the genre? That would be unforgivable.
I wanted a more systematic approach. I wanted to know the highlights of the various movements in science fiction from someone who’s been there and compared books within the groups. I wanted that ultimate tool in becoming cool: an academic approach.
Fortunately, the internet has my back.
There’s a college professor named Gary K. Wolfe. He’s basically made a career out of reading and knowing about science fiction. He has won a couple of Hugo awards, for example, for producing stuff where he just talks about science fiction in a fun and academic way.
The Great Courses, therefore, made a clever choice by hiring Mr. Wolfe to do a series of lectures called How Great Science Fiction Works. It’s really good. I recommend it. Mr. Wolfe describes it as a course about the movements in science fiction, then says that, by a convenient ordering in the universe, that mostly ended up being a survey of science fiction’s history at the same time.
That was pretty much exactly what I wanted. I wanted a systematic, academic approach to gaining a conversational fluency in science fiction. Because I want to be cool.
The course is good. Mr. Wolfe made a lot of reading recommendations throughout it.
And here is that reading list. It is, in a sense, a (Biased) History of Science Fiction by Way of a Reading List.
It is super bloody long! And definitely biased. I showed it to some writer friends, and they questioned some of Mr. Wolfe’s omissions and inclusions.
It’s biased. But it ain’t bad.
I’d sort of like to start a reading group to work on it with me. Any youse guys interested in reading along?
Here’s a link to the spreadsheet version, in case you’d like to check your own progress with it.
Author | Title | Year | Movement |
More, Thomas | Utopia | 1516 | Utopian Dreams and Dystopian Nightmares |
Shelley, Mary | Frankenstein, or the Modern Prometheus | 1815 | Mary Shelley and the Birth of Science Fiction |
Verne, Jules | From the Earth to the Moon | 1865 | Science Fiction and the 19th Century, Spaceship as a Science Fiction Icon |
Twain, Mark | Connecticut Yankee in King Arthur’s Court, a | 1889 | Science Fiction Treatments of History |
Wells, H.G. | Time Machine, the | 1895 | Science Fiction and the 19th Century, Evolution and Deep Time in Science Fiction |
Wells, H.G. | War of the Worlds, the | 1897 | Science Fiction and the 19th Century, Invasions, Space Wars, and Xenocide |
Burroughs, Edgar Rice | Princess of Mars, A | 1912 | Rise of Science Fiction Pulps |
London, Jack | Scarlet Plague, the | 1912 | Science Fiction Wasteland |
Zamyatin, Yevgeny | We | 1920 | Utopian Dreams and Dystopian Nightmares |
ÄŒapek, Karel | R.U.R. | 1921 | Robot: From Capek to Asimov |
Stapledon, Olaf | Last and First Men: A Story of the Near and Far Future | 1930 | Evolution and Deep Time in Science Fiction |
Stapledon, Olaf | Star Maker | 1937 | Evolution and Deep Time in Science Fiction |
van Vogt, A.E. | Slan | 1940 | Golden Age of Science Fiction Stories |
Heinlein, Robert A. | Orphans of the Sky | 1941 | Spaceship as a Science Fiction Icon |
Smith, Edward. E. | Skylark of Space, the | 1946 | Rise of Science Fiction Pulps |
Orwell, George | Nineteen Eighty-Four | 1949 | Utopian Dreams and Dystopian Nightmares |
Stewart, George R. | Earth Abides | 1949 | Science Fiction Wasteland |
Asimov, Isaac | I, Robot | 1950 | Robot: From Capek to Asimov |
Blish, James | Cities in Flight | 1950 | Science Fiction Treatments of History, Spaceship as a Science Fiction Icon |
Bradbury, Ray | Martian Chronicles, the | 1950 | From Mars to Arrakis: The Planet |
Asimov, Isaac | Foundation | 1951 | Science Fiction Treatments of History |
Heinlein, Robert A. | Universe | 1951 | Spaceship as a Science Fiction Icon |
Asimov, Isaac | Foundation and Empire | 1952 | Science Fiction Treatments of History |
Asimov, Isaac | Second Foundation | 1953 | Science Fiction Treatments of History |
Bradbury, Ray | Fahrenheit 451 | 1953 | Utopian Dreams and Dystopian Nightmares |
Clarke, Arthur C. | Childhood’s End | 1953 | Golden Age of the Science Fiction Novel |
Kornbluth, Cyril M.; Pohl, Frederik | Space Merchants, the | 1953 | Golden Age of the Science Fiction Novel |
Blish, James | Earthman, Come Home | 1955 | |
Finney, Jack | Body Snatchers, the | 1955 | Encounters with the Alien Other |
Bester, Alfred | Stars My Destination, the | 1956 | Golden Age of the Science Fiction Novel |
Blish, James | They Shall Have Stars | 1956 | |
Clarke, Arthur C. | City and the Stars, the | 1956 | Science Fiction’s Urban Landscapes |
Blish, James | Case of Conscience, a | 1958 | Science Fiction’s New Wave |
Blish, James | Triumph of Time, the/Clash of Cymbals, a | 1959 | |
Heinlein, Robert A. | Starship Troopers | 1959 | Invasions, Space Wars, and Xenocide |
Keyes, Daniel | Flowers for Algernon | 1959 | Future of Science Fiction |
Miller, Walter M. | Canticle for Leibowitz, the | 1959 | Science Fiction Wasteland |
Budrys, Algis | Rogue Moon | 1960 | Artifact as a Science Fiction Icon |
Ballard, J.G. | Wind from Nowhere, the | 1961 | Science Fiction’s New Wave |
Heinlein, Robert A. | Stranger in a Strange Land | 1961 | Religion in Science Fiction |
Lem, Stanislaw | Solaris, 2011, Johnston | 1961 | Encounters with the Alien Other |
Ballard, J.G. | Drowned World, the | 1962 | Science Fiction’s New Wave |
Blish, James | Life for the Stars, a | 1962 | |
Delaney, Samuel R. | Jewels of Aptor, the | 1962 | Science Fiction in the 21st Century |
Dick, Philip K. | Man in the High Castle, the | 1962 | Science Fiction Treatments of History |
Ballard, J.G. | Burning World, the | 1964 | Science Fiction’s New Wave |
Herbert, Frank | Dune | 1965 | From Mars to Arrakis: The Planet |
Herbert, Frank | Destination: Void | 1965 | Spaceship as a Science Fiction Icon |
Ballard, J.G. | Crystal World, the | 1966 | Science Fiction’s New Wave |
Clarke, I.F. | Voices Prophesying War | 1966 | Invasions, Space Wars, and Xenocide |
Delaney, Samuel R. | Einstein Intersection, the | 1967 | Science Fiction in the 21st Century |
Delaney, Samuel R. | Nova | 1968 | Science Fiction in the 21st Century |
Herbert, Frank | Dune Messiah | 1969 | From Mars to Arrakis: The Planet |
Le Guin, Ursula K. | Left Hand of Darkness, the | 1969 | Gender Questions and Feminist Science Fiction |
Russ, Joanna | Female Man, the | 1970 | Gender Questions and Feminist Science Fiction |
Silverberg, Robert | World Inside, the | 1971 | Science Fiction’s Urban Landscapes |
Strugatsky, Arkady; Strugatsky, Boris | Roadside Picnic (2012, Olena Bormeshenko) | 1971 | Artifact as a Science Fiction Icon |
Brunner, John | Sheep Look Up, the | 1972 | Environmentalism in Science Fiction |
Le Guin, Ursula K. | Word for World is Forest, the | 1972 | Environmentalism in Science Fiction |
Ballard, J.G. | Crash | 1973 | Science Fiction’s New Wave |
Clarke, Arthur C. | Rendezvous with Rama | 1973 | Artifact as a Science Fiction Icon |
Le Guin, Ursula K. | Ones Who Walk away from Omelas, the | 1973 | Utopian Dreams and Dystopian Nightmares |
Ballard, J.G. | Concrete Island | 1974 | Science Fiction’s New Wave |
Charnas, Suzy McKee | Walk to End of World | 1974 | Gender Questions and Feminist Science Fiction |
Haldeman, Joe | Forever War, the | 1974 | Invasions, Space Wars, and Xenocide |
Harrison, M. John | Centauri Device, the | 1974 | 1990s: The New Space Opera |
Niven, Larry; Pournelle, Jerry | Mote in God’s Eye, the | 1974 | Encounters with the Alien Other |
Ballard, J.G. | High-Rise | 1975 | |
Butler, Octavia | Patternmaster | 1976 | Science Fiction in the 21st Century |
Herbert, Frank | Children of Dune | 1976 | From Mars to Arrakis: The Planet |
Benford, Gregory | In the Ocean of Night | 1977 | Evolution and Deep Time in Science Fiction, Artifact as a Science Fiction Icon |
Cherryh, C.J. | Serpant’s Reach | 1980 | |
Sterling, Bruce | Artificial Kid, the | 1980 | Cyberpunk and the 1980s |
Wolfe, Gene | Shadow of the Torturer, the | 1980 | Evolution and Deep Time in Science Fiction, Spaceship as a Science Fiction Icon |
Cherryh, C.J. | Downbelow Station | 1981 | 1990s: The New Space Opera |
Herbert, Frank | God Emperor of Dune | 1981 | From Mars to Arrakis: The Planet |
Wolfe, Gene | Claw of the Coniliator, the | 1981 | Evolution and Deep Time in Science Fiction, Spaceship as a Science Fiction Icon |
Cherryh, C.J. | Merchanter’s Luck | 1982 | 1990s: The New Space Opera |
Wolfe, Gene | Sword of the Lictor, the | 1982 | Evolution and Deep Time in Science Fiction, Spaceship as a Science Fiction Icon |
Cherryh, C.J. | Forty Thousand in Gehenna | 1983 | 1990s: The New Space Opera |
Greenland, Colin | Entropy Exhibition, the | 1983 | Science Fiction’s New Wave |
Wolfe, Gene | Citadel of the Autarch, the | 1983 | Evolution and Deep Time in Science Fiction, Spaceship as a Science Fiction Icon |
Benford, Gregory | Across the Sea of Suns | 1984 | Evolution and Deep Time in Science Fiction |
Gibson, William | Neuromancer | 1984 | Cyberpunk and the 1980s |
Herbert, Frank | Heretics of Dune | 1984 | From Mars to Arrakis: The Planet |
Atwood, Margaret | Handmaid’s Tale, the | 1985 | Utopian Dreams and Dystopian Nightmares, Gender Questions and Feminist Science Fiction |
Herbert, Frank | Chapterhouse: Dune | 1985 | From Mars to Arrakis: The Planet |
Sagan, Karl | Contact | 1985 | |
Banks, Iain M. | Consider Phlebas | 1987 | 1990s: The New Space Opera |
Bear, Greg | Forge of God, the | 1987 | Invasions, Space Wars, and Xenocide |
Franklin, H. Bruce | War Stars | 1988 | Invasions, Space Wars, and Xenocide |
Sterling, Bruce | Islands in the Net | 1988 | Cyberpunk and the 1980s |
Banks, Iain M. | Use of Weapons | 1990 | 1990s: The New Space Opera |
Cherryh, C.J. | Rimrunners | 1990 | 1990s: The New Space Opera |
Tiptree Jr., James | Her Smoke Rose Up Forever | 1990 | Encounters with the Alien Other, Gender Questions and Feminist Science Fiction |
Banks, Iain M. | State of the Art, the | 1991 | 1990s: The New Space Opera |
Baxter, Stephen | Raft | 1991 | |
Fowler, Karen Joy | Sarah Canary | 1991 | Encounters with the Alien Other |
Robinson, Kim Stanley | Red Mars | 1992 | From Mars to Arrakis: The Planet |
Stephenson, Neal | Snow Crash | 1992 | Cyberpunk and the 1980s |
Willis, Connie | Doomsday Book | 1992 | Science Fiction Treatments of History |
Bear, Greg | Anvil of Stars | 1993 | Invasions, Space Wars, and Xenocide |
Butler, Octavia | Parable of the Sower | 1993 | Religion in Science Fiction |
Robinson, Kim Stanley | Green Mars | 1993 | From Mars to Arrakis: The Planet |
Baxter, Stephen | Ring | 1994 | Artifact as a Science Fiction Icon |
Benford, Gregory | Furious Gulf | 1994 | Evolution and Deep Time in Science Fiction |
Lethem, Jonathan | Gun, with Occasional Music | 1994 | Future of Science Fiction |
Sullivan, Tricia | Lethe | 1994 | Artifact as a Science Fiction Icon |
Bujold, Lois McMaster | Cordelia’s Honor | 1996 | |
Hamilton, Peter F. | Reality Dysfunction, the, Part 1: | 1996 | 1990s: The New Space Opera |
Hamilton, Peter F. | Reality Dysfunction, the, Part 2: Expansion | 1996 | 1990s: The New Space Opera |
Robinson, Kim Stanley | Blue Mars | 1996 | From Mars to Arrakis: The Planet |
Russel, Mary Doria | Sparrow, the | 1996 | Religion in Science Fiction |
Sterling, Bruce | Holy Fire | 1996 | Cyberpunk and the 1980s |
Butler, Octavia | Parable of the Talents | 1998 | Religion in Science Fiction |
Hopkinson, Nalo | Brown Girl in the Ring | 1998 | Science Fiction in the 21st Century |
Hopkinson, Nalo | Midnight Robber | 2000 | Science Fiction in the 21st Century |
Reed, Robert | Marrow | 2000 | Spaceship as a Science Fiction Icon |
Reynolds, Alastair | Revelation Space | 2000 | 1990s: The New Space Opera |
Sterling, Bruce | Zeitgeist | 2000 | Cyberpunk and the 1980s |
MacLeod, Ken | Fall Revolution, the | 2001 | 1990s: The New Space Opera |
Baxter, Stephen | Evolution | 2002 | Evolution and Deep Time in Science Fiction |
Harrison, M. John | Light | 2002 | 1990s: The New Space Opera |
Reynolds, Alastair | Redemption Ark | 2002 | |
MacLeod, Ken | Newton’s Wake: A Space Opera | 2004 | 1990s: The New Space Opera |
Robinson, Kim Stanley | Forty Signs of Rain | 2004 | Environmentalism in Science Fiction |
Okorafor, Nnedi | Zahrah the Windseeker | 2005 | Science Fiction in the 21st Century |
Stross, Charles | Accelerando | 2005 | Cyberpunk and the 1980s |
Wilson, Robert Charles | Spin | 2005 | Artifact as a Science Fiction Icon |
Harrison, M. John | Nova Swing | 2006 | 1990s: The New Space Opera |
McCarthy, Cormac | Road, the | 2006 | Science Fiction Wasteland |
Vinge, Vernor | Rainbows End | 2006 | Cyberpunk and the 1980s |
Okorafor, Nnedi | Shadow Speaker, the | 2007 | Science Fiction in the 21st Century |
Wilson, Robert Charles | Axis | 2007 | Artifact as a Science Fiction Icon |
Okorafor, Nnedi | Who Fears Death | 2010 | Science Fiction in the 21st Century |
Tidhar, Lavie | Osama | 2011 | Science Fiction in the 21st Century |
Harrison, M. John | Empty Space | 2012 | 1990s: The New Space Opera |
Tidhar, Lavie | Bookman Histories, the | 2012 | Science Fiction in the 21st Century |
Hopkinson, Nalo | Sister Mine | 2013 | Science Fiction in the 21st Century |
Mandel, Emily St. John | Station Eleven | 2014 | Future of Science Fiction |
Okorafor, Nnedi | Lagoon | 2014 | Science Fiction in the 21st Century |
Scalzi, John | Lock In | 2014 | Robot: from Capek to Asimov |
Bacigalupi, Paolo | Water Knife, the | 2015 | Environmentalism in Science Fiction |
Okorafor, Nnedi | Book of the Phoenix, the | 2015 | Science Fiction in the 21st Century |
Robinson, Kim Stanley | Aurora | 2015 | Spaceship as a Science Fiction Icon |
Stephenson, Neal | Seveneves | 2015 | Science Fiction Wasteland |
Baxter, Stephen | Xeelee Chronicles | ||
Benford, Gregory | Galactic Center series | Evolution and Deep Time in Science Fiction | |
Bujold, Lois McMaster | any | ||
Cherryh, C.J. | Alliance-Union | 1990s: The New Space Opera | |
Egan, Greg | any | Cyberpunk and the 1980s | |
Wolfe, Gene | Book of the New Sun, the | Evolution and Deep Time in Science Fiction, Spaceship as a Science Fiction Icon |
Meant to land in the metalhead box. Took a wrong turn.
Whoa. ALL of Bujold? A little extreme. Glad to see Octavia Butler included. And A Case of Conscience, which most don’t seem to remember any more.
All of Bujold and half of Cherryh. It’s a lot.
Great post. Looks like I’m behind in my reading!
Thanks for posting this, Oliver. I thought I was well-read, but have only ticked off 28 from this list – 29 if you count downloading (but not starting) Down Below Station. In the “cool” department, read Accelerando if you haven’t already. For a lighter introduction to Stross, I suggest the novelette Missile Gap. Very nice to see Gun With Occasional Music on this list, which I read only last month – a hardboiled noir tongue-in-cheek futuristic whodunnit. Motherless Brooklyn, also by Lethem, is also outstanding (but not SF). As for Iain Banks, I have only read his debut novel, The Wasp Factory, also not SF. Ballard has been on my list for a while.